Tuesday 19 January 2010
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Tuesday 5 January 2010
Exhibition and Exchange
More than 25 years after Gandhi swept all before it at the Academy Awards, another British film embedded in Indian culture is poised to conquer the world.
Scripted by Simon Beaufoy (The Full Monty), Slumdog Millionaire is an utterly irresistible rites of passage drama that builds to an extraordinary emotional crescendo. Employing a simple flashback structure, Danny Boyle's modern day fairy-tale charts the inspiring journey of an orphan from the slums of Mumbai to the contestant's chair on his country's version of Who Wants To Be A Millionaire? The suspense within the television studio, where host Prem (Anil Kapoor) poses each multiple-choice question, is nothing compared to the tensions within Beaufoy's multi-layered screenplay. In the space of a single vignette, the film glides from sidesplitting comedy to gut-wrenching despair, with an honesty and subtlety that continually catches us off guard.
Indeed, there is as much darkness as light here, including scenes of torture, child abuse, exploitation and degradation that reflect the meagre lot of children born into a rat run of makeshift housing, detritus, dirty water and shattered dreams. You won't need to ask the rest of the audience or 'phone a friend: from the opening frame, it's clear that Boyle has hit the jackpot. Slumdog Millionaire may just be the best film you see all year. Eighteen-year-old Jamal Malik (Dev Patel) has been raised by older brother Salim (Madhur Mittal) since the boys lost their mother to the violence of a religious uprising.
Falling into the clutches of child slave traders and other nefarious types, the youngsters use guile to survive on the streets, encountering a pretty orphan girl called Latika (Freida Pinto) who will change their lives forever. As months and years pass, Salim becomes a lackey to a brutal gang lord who forcibly takes Latika as his wife, beating her when she dares to challenge him. Unable to rescue the woman he loves from her predicament, Jamal seizes the opportunity to appear on the famous television quiz show. Miraculously, the orphan knows the answer to each question and as he edges closer to the 20 million rupee final question, the young man stands on the precipice of a momentous leap of faith that could rescue Latika and finally drag him and Salim out of the gutter.
Set to the infectious rhythms of AR Rahman's evocative soundtrack, Slumdog Millionaire doesn't strike a single false note as it pieces together the chronologically fragmented narrative, drawing us into Jamal's heartbreaking story. Patel and the actors who play the hero's younger incarnations hold us spellbound, delivering natural performances that tug the heartstrings. The plot continually defies expectations, most obviously in the closing minutes when we're left weeping hot tears of unbridled joy, though not for a conventional happy ever after. You can't teach slumdogs new tricks.
Soundtrack
The main theme song is 'Jai Ho' by the popular Pussycat Dolls.
The fact that the film now had a popular female band supporting, meant that they helped to boost the box office and caused even more of a buzz for the new film.
Tuesday 1 December 2009
Slumdog Millionaire UK Trailer - Distribution and Marketing
Analysis
Tuesday 10 November 2009
Slumdog Millionaire Poster Analysis - Distribution and marketing
Title: Slumdog Millionaire
Title Graphics: The font is quite bold, and has an irregular ‘broken’ effect. It seems torn and shattered perhaps reflecting the characters in the film. The colour changes from a deep red with connotations of passion, romance or on a different note violence, to a light yellow with connotations of new life, freshness and new beginnings. This could we a reflection of the narrative of the film, the film starts of violent and passionate, but ends calmly, with new beginnings, perhaps a happy ending.
Who is starring in the film: The majority of the cast are mainly unknown, Dev Patel and Freida Pinto are the protagonists and both were new to film acting. However Danny Boyle the director is well known and therefore is recognizable to a modern audience.
Where are the stars’ names placed on the poster and why: The protagonists are not actually placed at all on the poster, only their faces are displayed, this could perhaps be because there so unknown that the designers thought it was necessary to include them. However, be the title graphics it reads “ A Danny Boyle film” in a bright yellow, this time to make it stand out.
Mise - en - scene: There are two characters displayed on the poster. The main characters. Jamal’s head is displayed largely, it’s a profile of his face and the back of his head fades into the background. His love interest is superimposed on Jamal’s head, she’s running. This could perhaps signify she’s trying to get away from him as they are facing in opposite directions, however because she is superimposed, it gives them a sense of closeness, that perhaps maybe their it two different places and she’s running towards him, which if you’ve ever seen the film, is very true.
The background is blurry and only the characters are in focus. This could perhaps reflect that their backgrounds don’t matter, the confusion and disorientation of the characters and their focus on one another. Everything else to them is out of focus and unimportant except each other.
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General Distribution
"A triumphant Danny Boyle recalled yesterday how Slumdog Millionaire came within a whisker of never making it to cinemas - after the economic downturn forced his film’s original distributors out of business.
Six months ago, the director was suddenly informed that Warner Independent was being closed down and that Slumdog, to which he’d devoted a year of his life, would be condemned to the obscurity of a straight-to-DVD release.
That was before Fox Searchlight heard of Boyle's feel-good fable about contemporary Mumbai. They bought rights to the film for a song, and quietly went about turning it into a word of mouth smash hit."
(The Independent)
The film started off as art house targeting Danny Boyle fans, but after being nominated for a a number of Oscars AND winning, it become a world wide phenomenon.
The majority of the time Danny Boyle did the TV,radio and magazine interviews. I think he was probably used because he's the most recognizable member of the cast and crew and therefore the most likely person an audience could relate with.
Slumdog Millionaire was released on the 9th January 2008 in the UK, and the 23rd of January in the USA.
I think the USP of Slumdog Millionaire would be it's recreation of 'Who wants to be a millionaire'. The film used their synergy with Celador productions as a way of creating an authentic Indian version of the show.
Target Audience
46% of the audience were age 15-25.
The other highest percentage was age 45+ with 27%.
Research also shows that 56% of the audience were female.
The film has a wide demographic. It's a 15 certificate which is quite appropriate. Some of the scenes include violence and adult issues that children under 15 wouldn't fully be able to understand and it might distress them.
Marketing
Slumdog Millionaire, though quite low budget is a mainstream film, due to Film 4 and Danny Boyle.
They used Danny Boyle in most of their interviews. This could be because he is the most widely known member of the cast and crew. He is someone that knows a lot about this film and many others and therefore was able to offer interviewers his knowledge and opinions on why Slumdog Millionaire is a good film.
The television trailer presents the film as almost being in the action genre. The music is very fast paced, and creates a sense of chaos and excitement.
The voiceover describes it as "an unforgettable story". This tells us that there is a deep, underlying story and therefore not simply an action film.
The images show both the slums and the city and help to create the scene.
They use a popular song "The sun always shines on TV" (a-ha), to get an audiences notice and to perhaps give an indication of the narrative.
Danny Boyle decided to dub his movie in Hindi and Tamil so that he could appeal to a bigger audience, the audiences in India as well as the UK.
The film also got unprecedented media coverage, as it was nominated for a number of Oscars, and this meant that the public were desperate to see it.
Tuesday 22 September 2009
Production Problems in Film 4
Production Problems
Film 4s biggest problem was competing for cinema space with multinational film companies.
In 2001, the company suffered a major box office flop, after Charlotte Gray lost them a massive £5.7 million. In the same year Film 4 put out 14 films, yet only accounted for 0.7% of the UK box office market, they were struggling.
A complete relaunch took place in 2006. Around a quarter of all films shown were british and they were broken up by advertisements for the first time. The company left pay TV and went onto Freeview.